Prounis’s jewelry evokes a sense of unearthed treasure, more suited to a museum display than a typical gift shop shelf. With each piece, one can easily envision an archaeologist delicately lifting an earring from the dust of a dig site, or a noblewoman of ancient times adorning herself with a Prounis necklace for a lavish banquet. It’s jewelry that ignites the imagination, reminiscent of something King Arthur might gift to his beloved. Its allure is captivating, easily drawing one into its enchanting world.
Jean Prounis introduced her collection in 2017, inspired by a rich family history that traces back to the founding of the Versailles Club in 1930s Manhattan by her Greek immigrant grandparents. The club’s sage green tablecloths served as the muse for Prounis’s branding, reflecting her deep connection to her heritage and personal preferences. Drawing from her grandfather’s tales of Greek history, Prounis infuses her designs with historical references, transporting wearers across centuries.
Continuing her commitment to craftsmanship, Prounis meticulously handcrafts each piece in New York City using recycled 22 karat gold. Her clientele, largely composed of creative individuals, seeks her out for unique statement pieces. Rather than adhering to seasonal trends, Prounis releases her collections in thematic “chapters.” Her latest installment, Chapter Seven, embarks on a journey to 15th century Germany, drawing inspiration from artisans who crafted tumblers from Waldglas, a glass renowned for its distinctive sage green hue.
Explaining her fascination with Waldglas, Prounis recounts its origins rooted in the northern forests of Germany, where the chemical reaction of plant ash and minerals produced its serene green color. Her encounter with Waldglas at the Met Museum sparked her imagination, leading her to incorporate its organic shapes and functional designs into her jewelry. The transition from ancient to medieval influences seamlessly aligns with Prounis’s eclectic approach to history, allowing her to draw inspiration from various epochs.
Looking ahead, Prounis teases her next chapter, hinting at an exploration of Art Deco aesthetics. For her, historical references serve as a springboard for personal narratives, allowing clients to imbue each piece with their own significance. Recently, she crafted custom coin pendants representing a mother’s two daughters, drawing inspiration from ancient goddesses associated with their names.
On June 7th at 12pm, Prounis will unveil her Waldglas collection at a salon exhibition in the Whitney Studio at the New York Studio School. The exhibit, curated in collaboration with writer and curator Camille Okhio, promises to transport visitors to a merchant’s trade room from the medieval era, showcasing antique furniture and artifacts that complement Prounis’s timeless creations. In merging the past with the present, Prounis continues to captivate audiences with her unique blend of historical reverence and contemporary artistry.